Koneksi
type: channel
description: Koneksi (E-ISSN 2598-0785) is a national journal, which all articles contain student's writing, are published by Faculty of Communication Science, Universitas Tarumanagara. Scientific articles published in Koneksi are result from research and scientific studies conduct by students in communication field. Koneksi published twice a year. First issue will be publish on March and second issue on October. Articles published in Koneksi have been trough peer-review process by reviewer. Final decision of articles acceptance will be taken by editor team.
publisher: Fakultas Ilmu Komunikasi Universitas Tarumanagara
language: en-US
publication name: Koneksi
issn: 2598-0785
copyright: This work is licensed under a Koneksi Creative Commons Attribution-ShareAlike 4.0 International License.
items: Peran Love Language dalam Komunikasi Keluarga Generasi Z untuk Membangun Self-Disclosure
items: Resepsi Khalayak terhadap Narasi Pemberitaan Medali ‘Giveaway’ di Metro TV
items: TikTok sebagai Media dalam Membentuk Opini Publik melalui Film Netflix Ice Cold
items: Strategi Tim AMB Diskominfotik DKJ dalam Mengidentifikasi Isu Pemberitaan di Media
items: Pembentukan Identitas Diri Penonton Remaja melalui Drama Korea Love Next Door
items: Persepsi Generasi Z terhadap Dinasti Politik dalam Pemberitaan Media Massa
items: DAAI TV Memanfaatkan Aplikasi DAAI+ Guna Menjangkau Pemirsa yang Lebih Luas
items: Komunikasi Interpersonal Pengguna Aplikasi Kencan Bumble
items: Representasi Toxic Masculinity Pada Film Monster (Analisis Semiotika Ferdinand De Saussure)
items: Pesan Moral Dalam Visual Peringatan Darurat: Analisis Semiotika Charles Sanders Peirce
items: Membangun Kepuasan Kerja melalui Pola Komunikasi Organisasi (Studi Kasus PT. Gorontalo Minerals)
items: Pola Komunikasi Pengguna Media Sosial dalam Perilaku People Pleasing terhadap Ekspektasi Sosial
items: Dinamika Komunikasi Internasional Anak Pasca Perselingkuhan Orang Tua
items: Analisis Komunikasi Non-Verbal di Line (Studi Kasus Hubungan Jarak Jauh pada Mahasiswa Fikom Untar)
items: Konstruksi Sosial Healthy Lifestyle dalam Budaya Fitness Gen Z di Lingkungan Perguruan Tinggi
items: Interaksi Parasosial Penggemar Indonesia terhadap Boygroup Korea Selatan
items: Analisis Semiotika Representasi Pesan Moral dalam Film Thunderbolts
items: Pemanfaatan Second Account Instagram sebagai Sarana Ekspresi True Self Pada Generasi Z
items: Paparan Drama Tiongkok terhadap Pandangan Realitas Budaya Tiongkok pada Penonton di Indonesia
items: Makna Prasangka sebagai 'Monster' dalam Film Monster (2023)
items: Semiotika Saussure dan Narasi Feminisme Liberal dalam Lagu "The Man" oleh Taylor Swift
items: Representasi Feminisme Postmodern pada Tokoh Tewkesbury dalam Film Enola Holmes (2020)
items: Relasi Interpersonal dan Trust Building dalam Dinamika Hubungan pada Generasi Z di Aplikasi Bumble
items: Komunikasi Interpersonal dalam Perspektif Teori Negosiasi Wajah: Studi pada Rumah Tangga Pasangan Muda
items: Parentifikasi dan Pola Komunikasi dalam Keluarga: Pengalaman Fenomenologis Anak Sulung
items: Makna Otonomi Ekonomi Perempuan dalam Lagu Miss Independent: Analisis Semiotika Roland Barthes
items: Representasi Anak Sulung sebagai Pilar Keluarga di Film Bila Esok Ibu Tiada
items: Krisis Kepercayaan pada Fenomena Kabur Aja Dulu Studi Resepsi Gen Z dalam Perspektif Komunikasi Krisis
items: Komodifikasi dalam Ekonomi Politik Media: Studi Kasus pada Instagram Sabrina Chairunnisa
items: Analisis Perilaku Parasosial Penggemar Marvel melalui Konten di TikTok
items: Cover Vol. 10 No. 1
items: Front Matters Vol. 10 No. 1
items: Back Matters Vol. 10 No. 1

Peran Love Language dalam Komunikasi Keluarga Generasi Z untuk Membangun Self-Disclosure
type: item
description: This study aims to analyze the role of love language in communication between parents and children of generation Z for self-disclosure. The love language proposed by Chapman (2014) includes five main forms: words of affirmation, acts of service, receiving gifts, quality time, and physical touch. The study used a qualitative approach with a phenomenological method. Data collection was carried out through in-depth interviews with six informants consisting of parents and children of generation Z. The results of the study showed that love language plays an important role in creating comfort, trust, and openness between parents and children. Self-disclosure occurs because of the comfort and trust that arise from smooth communication through love language. However, differences in understanding between parents and children can hinder the process of self-disclosure. This study recommends the importance of parents' understanding of their children's love language in order to strengthen family relationships. Penelitian ini bertujuan untuk menganalisis bagaimana peran Love Language dalam komunikasi antara orang tua dan anak generasi Z untuk penyingkapan diri (self-disclosure). Love Langeage yang dikemukakan oleh Chapman (2014) mencakup lima bentuk utama: words of affirmation, act of service, receiving gift, quality time, dan physical touch. Penelitian menggunakan pendekatan kualitatif dengan metode fenomenologi, Pengumpulan data dilakukan melalui wawancara mendalam terhadap enam informan yang terdiri dari orang tua dan anak generasi Z. Hasil penelitian menunjukkan bahwa bahasa cinta berperan penting dalam menciptakan kenyamanan, kepercayaan, dan keterbukaan antara orang tua dan anak. Penyingkapan diri terjadi karena rasa nyaman dan kepercayaan yang muncul dari komunikasi yang berjalan lancar melalui bahasa cinta. Namun, perbedaan pemahaman antara orang tua dan anak dapat menghambat proses Self- Disclosure anak. Penelitian ini merekomendasikan pentingnya pemahaman orang tua terh…
creator: Alannys Zefanya Kambey
creator: Riris Loisa
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 1
ending page: 11
doi: 10.24912/kn.v10i1.33277

Resepsi Khalayak terhadap Narasi Pemberitaan Medali ‘Giveaway’ di Metro TV
type: item
description: Framing is the way the media conveys information to influence the audience's perception and interpretation of an event. This study aims to understand how audiences interpret the term “giveaway” in the news narrative of Gregoria Mariska Tunjung's medal win reported by Metro TV. The theories used include mass communication, the role of the media in influencing public perception through framing, as well as reception theory by Stuart Hall to analyze the audience's position in understanding media messages. The research approach used is qualitative with a case study method. Data were collected through structured interviews with 10 informants who have different backgrounds and are aware of the news of the 'giveaway' medal, as well as documentation from various sources. The data were analyzed using thematic analysis techniques. The results showed that the majority of respondents were in the Dominant-Hegemonic, Negotiated, and Oppositional Positions, where they had various interpretations of the media messages conveyed by Metro TV. This research concludes that audiences are not passive in receiving media messages, but actively interpret them based on ideology, culture, and individual understanding. This research also emphasizes the importance of proper framing in news reporting in order to better respect the context and struggles being reported. Framing merupakan cara media menyampaikan informasi untuk mempengaruhi persepsi dan interpretasi khalayak terhadap suatu peristiwa. Penelitian ini bertujuan untuk memahami bagaimana audiens menginterpretasikan istilah “giveaway” dalam narasi berita kemenangan medali Gregoria Mariska Tunjung yang dilaporkan oleh Metro TV. Teori yang digunakan meliputi komunikasi massa, peran media dalam mempengaruhi persepsi publik melalui framing, serta teori resepsi oleh Stuart Hall untuk menganalisis posisi audiens dalam memahami pesan media. Pendekatan penelitian yang digunakan adalah kualitatif dengan metode studi kasus. Data dikumpulkan melalui …
creator: Regina Florentina
creator: Doddy Salman
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 12
ending page: 21
doi: 10.24912/kn.v10i1.33307

TikTok sebagai Media dalam Membentuk Opini Publik melalui Film Netflix Ice Cold
type: item
description: The 2016 cyanide coffee murder case was widely discussed in the mass media at the time, with Jessica Wongso as a suspect in the murder of Mirna. This case was brought up again in 2023 through a documentary film entitled "Ice Cold: Murder, Coffee and Jessica Wongso," which aired on Netflix. The film clip video spread through various social media, one of which was TikTok, made the case that caused a stir in 2016 discussed again. Many provided information, views, and opinions to participate in the cyanide coffee case discussion actively. This study uses a qualitative approach with a case study method to analyze the stages of public opinion formation. Using the thinking of the stages of public opinion formation by Cutlip and Center and Erikson and Tedin. The study results show that TikTok is an effective platform for forming public opinion. Through four stages, namely the emergence of issues, there is attention from opinion leaders, discussing solutions, and determining solutions. Through data collection through in-depth interviews, observations, literature studies, and documentation, it is hoped that results that are close to the truth can be obtained. In addition, the results of this study are expected to gain insight into the stages of public opinion formation. Kasus pembunuhan kopi sianida pada tahun 2016 ramai dibahas pada masanya di media massa, dengan Jessica Wongso sebagai tersangka pembunuhan terhadap Mirna. Kasus ini terangkat kembali pada tahun 2023 melalui film dokumenter yang berjudul "Ice Cold: Murder, Coffee and Jessica Wongso" yang tayang di Netflix. Video cuplikan film tersebar melalui berbagai media sosial salah satunya TikTok, membuat kasus yang menghebohkan pada tahun 2016 tersebut kembali dibahas. Banyak yang memberikan informasi, pandangan, dan pendapat mereka untuk turut aktif dalam berpartisipasi diskusi kasus kopi sianida. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus untuk menganalisis tahapan terbentuknya opini pub…
creator: Michel Adriana
creator: Sinta Paramita
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 22
ending page: 29
doi: 10.24912/kn.v10i1.33312

Strategi Tim AMB Diskominfotik DKJ dalam Mengidentifikasi Isu Pemberitaan di Media
type: item
description: As a major city with complex activities, DKJ often becomes the focus of various issues. To address this, Diskominfotik DKJ utilizes media monitoring as a tool to identify negative issues emerging in the region. This study focuses on the strategies implemented by the AMB Team of Diskominfotik in detecting negative issues from media coverage. A qualitative approach with a case study method is used in this research, with data collected through observation, interviews, and documentation. The subject of the study is the AMB Team of Diskominfotik DKJ, while the object is the strategies they use to identify negative issues. The findings show that in identifying negative issues, the AMB Team conducts issue management by applying strategies such as media monitoring and sentiment analysis. By monitoring news across various platforms, including print media, television, radio, and online media, they are able to gather data on emerging issues. This strategy is supported by sentiment analysis, which helps classify news as positive, negative, or neutral. Such analysis enables swift issue identification and efficient decision-making to prevent potential crises. Additionally, structured organizational communication, encompassing horizontal, upward, and downward communication, further accelerates the flow of information and ensures appropriate responses to developing issues. Sebagai kota besar dengan aktivitas yang kompleks, DKJ sering kali menjadi sorotan berbagai isu beragam. Untuk mengatasi hal ini, Diskominfotik DKJ memanfaatkan media monitoring sebagai alat untuk mengidentifikasi isu negatif yang berkembang di wilayahnya. Penelitian ini berfokus pada strategi yang diterapkan Tim AMB Diskominfotik dalam mendeteksi isu negatif dari pemberitaan media. Pendekatan kualitatif dengan metode studi kasus digunakan dalam penelitian ini, dengan data diperoleh melalui observasi, wawancara, dan dokumentasi. Subjek penelitian adalah Tim AMB Diskominfotik DKJ, sementara objeknya adalah strateg…
creator: Sylvia Herman
creator: Moehammad Gafar Yoedtadi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 30
ending page: 39
doi: 10.24912/kn.v10i1.33313

Pembentukan Identitas Diri Penonton Remaja melalui Drama Korea Love Next Door
type: item
description: Self-identity is a concept of self-recognition, seeking purpose, and upholding personal values and beliefs. Self-identity is fundamental in the formation of identity, particularly during the teenage years. The teenage stage is a developmental period marked by instability in the search for identity. Teenagers absorb various sources and information from the internet, such as Korean dramas. This study aims to analyze the formation of teenage self-identity through Korean dramas using symbolic interaction theory as the primary framework. The research employs a qualitative approach with a phenomenological method. The findings indicate that understanding the messages in the Korean drama Love Next Door through its narrative and character interactions has the potential to foster self-confidence, openness in communication, empathy, and flexibility among teenagers in planning their future and shaping their self-identity. This is evident in how teenagers comprehend the drama's messages and apply them in daily life, including decision-making and building social relationships in society. Identitas diri adalah situasi atau konsep pengenalan diri, mencari tujuan dan memegang nilai dan keyakinan diri pada individu. Identitas diri merupakan satu hal yang fundamental pada pembentukan identitas diri terutama pada masa remaja. Remaja merupakan perkembangan seseorang yang masih ditandai dengan kelabilan dalam pencarian jati diri. Remaja akan menyerap berbagai sumber dan informasi dari internet seperti pada drama Korea. Penelitian ini bertujuan untuk menganalisis pembentukan identitas diri remaja melalui drama Korea dengan menggunakan teori interaksi simbolik sebagai landasan utama. Penelitian ini menggunakan pendekatan kualitatif dengan metode fenomenologi. Hasi pada penelitian ini menunjukkan bahwa adanya pemahaman pesan drama Korea Love Next Door melalui narasi dan interaksi karakter berpotensi mendorong rasa percaya diri, keterbukaan komunikasi, empati, dan fleksibilitas remaja dalam …
creator: Tiara Priscilia
creator: Lusia Savitri Setyo Utami
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 40
ending page: 49
doi: 10.24912/kn.v10i1.33314

Persepsi Generasi Z terhadap Dinasti Politik dalam Pemberitaan Media Massa
type: item
description: This study analyzes Generation Z's perceptions of political dynasties as reported by mass media. As a digital generation, Generation Z is significantly influenced by information disseminated through both traditional and digital media. They are highly susceptible to continuous exposure to mass media information, particularly via new media platforms such as social media. This research employs a qualitative approach, utilizing in-depth interviews to examine how media exposure shapes their understanding and opinions regarding political dynasties. The findings reveal that Generation Z critically views political dynasties as a threat to democratic values, expressing concerns about nepotism and unequal access to leadership opportunities. Media, especially social media, plays a pivotal role in shaping their perspectives while also providing a space for discussion and activism. Despite challenges such as information bias, Generation Z demonstrates critical awareness in processing media content. This study highlights the potential of Generation Z as agents of change in promoting a more inclusive and transparent political system in Indonesia. Penelitian ini menganalisi persepsi Generasi Z terhadap dinasti politik yang diberitakan oleh media massa. Generasi Z sebagai generasi digital sangat dipengaruhi oleh informasi yang diterima melalui media tradisional maupun digital, Generasi Z sangat mudah terpengaruh oleh informasi dari media massa secara terus – menerus yang mengalir melalui media baru, yakni media sosial. Penelitian ini menggunakan pendekatan kualitatif dengan wawancara mendalam untuk menganalisis bagaimana paparan media membentuk pemahaman dan opini mereka terhadap dinasti politik. Hasil penelitian menunjukkan bahwa Generasi Z secara kritis memandang dinasti politik sebagai ancaman bagi nilai-nilai demokrasi, dengan kekhawatiran terkait nepotisme dan ketimpangan akses terhadap peluang kepemimpinan. Media, khususnya media sosial, memiliki peran penting dalam membentuk …
creator: Wina Febriani
creator: Farid Rusdi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 50
ending page: 59
doi: 10.24912/kn.v10i1.33315

DAAI TV Memanfaatkan Aplikasi DAAI+ Guna Menjangkau Pemirsa yang Lebih Luas
type: item
description: Television is one of the most effective media in influencing society, especially as a primary source of information for many people around the world, including in Indonesia. DAAI TV utilizes the DAAI+ application to reach a wider audience in the digital era. Where everyone has turned to gadgets to get information and make things easier. Using a qualitative approach, data was obtained through interviews with management, the digital team, the branding team, and application users. The results of the study show that DAAI+ reflects media convergence by combining traditional television broadcasts and on-demand access, increasing the flexibility and reach of content. However, there are obstacles in using the application because loyal DAAI viewers are from the older generation, and must compete with popular entertainment that is more in demand by the general public. Also, the limited interactive features are a challenge in increasing user engagement. Going forward, DAAI TV plans to strengthen the application through content personalization and interactive features. This study shows how traditional television can transform through new media to remain relevant. It is necessary to develop a stronger internal technical team and improve server stability to ensure the application runs more smoothly and efficiently. Televisi merupakan salah satu media yang paling efektif dalam mempengaruhi masyarakat, terutama sebagai sumber informasi utama bagi banyak orang di seluruh dunia, termasuk di Indonesia. DAAI TV memanfaatkan aplikasi DAAI+ untuk menjangkau pemirsa yang lebih luas di era digital. Dimana semua orang sudah beralih ke gadget untuk mendapatkan infromasi serta memudahkan dalam hal apapun. Dengan pendekatan kualitatif, data diperoleh melalui wawancara dengan pihak manajemen, tim digital, tim branding, dan pengguna aplikasi. Hasil penelitian menunjukkan bahwa DAAI+ mencerminkan konvergensi media dengan menggabungkan siaran televisi tradisional dan akses on-demand, meningkatkan …
creator: Wynne Chrestella Ho
creator: Moehammad Gafar Yoedtadi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 60
ending page: 67
doi: 10.24912/kn.v10i1.33317

Komunikasi Interpersonal Pengguna Aplikasi Kencan Bumble
type: item
description: Bumble is unique compared to other dating apps, namely that only female users can initiate a conversation after a match occurs, this feature not only gives women more control in determining the direction of the interaction, but also is able to create different and interesting communication patterns. This study aims to analyze how interpersonal communication can develop following a match in the context of using the Bumble dating app. The theory used in this study is interpersonal communication theory, which highlights the stages of relationship development through digital interaction. Using a qualitative approach with a case study method, this research explores users' subjective experiences of communicating through the app. Data was collected through in-depth interviews with female university students in Jakarta who are active users of the Bumble app to understand how initial interactions occur and develop into more intense communication, complemented by a literature study. The results revealed that interpersonal communication on Bumble evolves gradually, often turning to other communication platforms to build further trust and comfort. The conclusion of this study provides insights into how dating apps facilitate unique interpersonal communication patterns in a digital context and their relevance to the needs of the younger generation. Bumble memiliki keunikan dibandingkan aplikasi kencan lainnya, yaitu hanya pengguna perempuan yang dapat memulai percakapan setelah terjadi kecocokan (match), fitur ini tidak hanya memberikan kendali lebih besar kepada perempuan dalam menentukan arah interaksi, tetapi juga mampu menciptakan pola komunikasi yang berbeda dan menarik. Penelitian ini memiliki tujuan untuk menganalisis bagaimana komunikasi interpersonal dapat berkembang setelah terjadinya kecocokan dalam konteks penggunaan aplikasi kencan Bumble. Teori yang digunakan dalam penelitian ini adalah teori komunikasi interpersonal, yang menyoroti tahapan perkembangan hubungan me…
creator: Zefanya Aurell Nathalie
creator: Ahmad Junaidi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 68
ending page: 76
doi: 10.24912/kn.v10i1.33318

Representasi Toxic Masculinity Pada Film Monster (Analisis Semiotika Ferdinand De Saussure)
type: item
description: In mass communication research, films are often recognized as a powerful medium for conveying social and cultural messages to audiences. As a form of visual communication, films serve not only as entertainment but also as a platform that reflects societal realities, including family dynamics and gender roles. This study applies mass communication theory, focusing on film as a medium, alongside family communication theory, and employs a qualitative descriptive approach using discourse analysis based on Ferdinand de Saussure’s semiotic theory to interpret the meanings embedded in the visual and verbal symbols within the film. The primary objective of this study is to examine how the film portrays the construction of toxic masculinity and how dysfunctional family communication dynamics reinforce harmful masculine behaviors. By applying family communication theory, this research explores the role of communication in shaping gender identities and how family communication patterns influence the development of social behaviors. The findings of this study illustrate how the culture of toxic masculinity in dysfunctional families shapes behavioral patterns that portray men as dominant figures, emphasizing masculinity from the perspective of mass communication. Dalam kajian komunikasi massa, film sering dipandang sebagai salah satu bentuk media yang efektif dalam menyampaikan pesan sosial dan budaya kepada audiens. Sebagai produk komunikasi visual, film tidak hanya berfungsi sebagai hiburan, tetapi juga sebagai medium yang dapat merepresentasikan realitas sosial, termasuk dinamika hubungan keluarga dan konstruksi gender. Penelitian ini menggunakan teori Komunikasi massa dengan film sebagai produknya, komunikasi keluarga, dan penelitian ini menggunakan pendekatan kualitatif deskriptif dengan metode analisis wacana berdasarkan teori semiotika Ferdinand de Saussure untuk menggali makna yang terkandung dalam simbol-simbol visual dan verbal dalam film. Fokus utama dari penelitian i…
creator: Raihan Zahran Wicaksono
creator: Septia Winduwati
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 77
ending page: 86
doi: 10.24912/kn.v10i1.33321

Pesan Moral Dalam Visual Peringatan Darurat: Analisis Semiotika Charles Sanders Peirce
type: item
description: Visual elements such as symbols or images are often used to evoke public emotions and convey moral messages through viral posts on social media. The viral post about the "Emergency Warning" with the Garuda symbol on a blue background is an interesting phenomenon to study, especially in the context of representation and the moral message contained therein. This shows that visualizations that are appropriate to the circumstances that occur around can strengthen the delivery of important information to the public. This study aims to uncover the moral message behind the Garuda symbol on a blue background with the words "Emergency Warning" using Charles Sanders Peirce's semiotic approach. This research method is qualitative with the analysis of signs, objects, and logistical interpretation based on Peirce's semiotic theory. The subject of the study is the visual symbol of Garuda on a blue background with the words "Emergency Warning," while the object of the research is the moral message contained therein. The results show that the color blue reflects stability, the Garuda symbol represents the values ​​of Pancasila, and the text "Emergency Warning" gives a sense of urgency. However, the visual noise in this image affects public understanding, resulting in diverse interpretations. This research emphasizes the importance of visual clarity in conveying moral messages in national symbols. Elemen visual seperti simbol atau gambar, sering digunakan untuk menggugah emosi masyarakat dan menyampaikan pesan moral melalui postingan viral di media sosial. Postingan viral tentang “Peringatan Darurat” dengan simbol Garuda berlatar biru menjadi fenomena menarik untuk dikaji, terutama dalam konteks representasi dan pesan moral yang terkandung di dalamnya. Hal ini menunjukkan bahwa visualisasi yang sesuai dengan keadaan yang terjadi di sekitar dapat memperkuat penyampaian informasi penting kepada publik. Penelitian ini bertujuan untuk mengungkap pesan moral di balik simbol Garuda berlat…
creator: Rahmat Hidayat
creator: Moehammad Gafar Yoedtadi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 87
ending page: 96
doi: 10.24912/kn.v10i1.33320

Membangun Kepuasan Kerja melalui Pola Komunikasi Organisasi (Studi Kasus PT. Gorontalo Minerals)
type: item
description: This study aims to analyze the organizational communication patterns between leaders and employees in building job satisfaction at PT Gorontalo Minerals. The research employs a qualitative approach using a case study method. Data were collected through in-depth interviews, observations, and documentation with nine informants, including company leaders and staff. Data analysis was conducted through the reduction, presentation, and conclusion-drawing stages, following the Miles and Huberman model, while data validity was strengthened through source and technique triangulation. The findings indicate that the company uses a chain-of-command pattern, reflecting a hierarchical organizational structure. Downward communication occurs through meetings, briefings, and work instructions, while upward communication occurs through performance reports and evaluations. Horizontal and diagonal communication also takes place for interdepartmental coordination, though it remains dominated by formal channels. Supporting factors for effective organizational communication include leadership openness, adequate communication facilities, and a collaborative work culture. Conversely, communication barriers consist of message distortion due to bureaucracy, differences in employees’ cultural backgrounds, and technical obstacles in the field. An open, clear, and participatory communication pattern has been proven to enhance job satisfaction, as reflected in increased motivation, loyalty, and productivity. This study affirms that the effectiveness of organizational communication is a key determinant in establishing a harmonious, productive, and adaptive work environment in the face of organizational change. Penelitian ini menganalisis pola komunikasi organisasi antara pimpinan dan karyawan dalam membangun kepuasan kerja di PT. Gorontalo Minerals. Menggunakan pendekatan kualitatif dengan metode studi kasus, data dikumpulkan melalui wawancara mendalam, observasi, dan dokumentasi terhadap sembilan…
creator: Mohammad Hamdallah Ruchban
creator: Moehammad Gafar Yoedtadi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 97
ending page: 105
doi: 10.24912/kn.v10i1.37136

Pola Komunikasi Pengguna Media Sosial dalam Perilaku People Pleasing terhadap Ekspektasi Sosial
type: item
description: The development of technology and social media encourages users to adjust their communication patterns to gain social acceptance, which in turn gives rise to the phenomenon of people pleasing in the digital space. This study examines the communication patterns of Instagram users in meeting social expectations, particularly through the phenomenon of people-pleasing, from the perspective of Erving Goffman's dramaturgy. Social media, especially Instagram, is used by users to project a more perfect self-image as part of impression management, while their true identities are more often displayed in private spaces. This study uses a qualitative approach with a phenomenological method through in-depth interviews, observation of informants' Instagram accounts, and documentation. The results show that pressure from the social environment influences how a person communicates, selects content, edits posts, and chooses language to gain recognition from others. The phenomenon of people-pleasing emerges as a way to maintain a positive image and elicit responses from the audience through various channels such as stories, comments, and direct messages. The research findings also indicate that users utilize the DM feature as a place for more authentic interactions, while public posts become a "front stage" for presenting an ideal version of themselves. This research helps understand how social expectations shape communication in the digital world and emphasizes the importance of honest and balanced interactions. Perkembangan teknologi dan media sosial mendorong pengguna untuk menyesuaikan pola komunikasinya demi memperoleh penerimaan sosial, yang kemudian memunculkan fenomena people pleasing di ruang digital. Penelitian ini membahas pola komunikasi pengguna Instagram dalam berkomunikasi untuk memenuhi harapan sosial, khususnya melalui fenomena people pleasing, dilihat dari sudut pandang dramaturgi Erving Goffman. Media sosial, terutama Instagram, digunakan oleh pengguna untuk menunj…
creator: Apriyani Anggraeni
creator: Riris Loisa
creator: Lydia Irena
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 106
ending page: 115
doi: 10.24912/kn.v10i1.36378

Dinamika Komunikasi Internasional Anak Pasca Perselingkuhan Orang Tua
type: item
description: The family is the foundation for child development, because it is in this environment that children first learn values, norms, and behavior patterns before interacting more widely at school and in society. When family functions weaken due to prolonged conflict, relationships that are no longer harmonious, or the inability of couples to adapt, the risk of divorce becomes higher. The study aims to describe changes in children's interpersonal communication patterns after divorce due to infidelity. The research uses a qualitative descriptive method with interviews, observations, and literature studies such as books, journals, and previous research. The results show that divorce due to infidelity triggers a significant shift in communication between children and parents. A phenomenon of realignment of relationships occurs, where emotional closeness shifts to figures who are considered safer and more supportive. Interactions that were previously warm become more infrequent, rigid, and distant, especially towards the parent who committed adultery, who is seen as a source of emotional discomfort. The restoration of communication is greatly influenced by emotional support from the non-adulterous parent and the immediate environment, such as peers, extended family, or teachers who provide a safe space to express feelings and emotional balance. Keluarga menjadi fondasi awal bagi perkembangan anak, sebab di lingkungan inilah anak pertama kali mempelajari nilai, norma, dan pola perilaku sebelum berinteraksi lebih luas di sekolah dan masyarakat. Ketika fungsi-fungsi keluarga melemah akibat konflik berkepanjangan, hubungan yang tidak lagi harmonis, atau ketidakmampuan pasangan beradaptasi, risiko terjadinya perceraian menjadi lebih tinggi. Penelitian bertujuan untuk menggambarkan perubahan pola komunikasi interpersonal anak setelah perceraian akibat perselingkuhan. Penelitian menggunakan metode deskriptif kualitatif dengan wawancara, observasi serta studi literatur seperti buku, j…
creator: Artika Naila Vania
creator: Wulan Purnama Sari
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 116
ending page: 124
doi: 10.24912/kn.v10i1.37137

Analisis Komunikasi Non-Verbal di Line (Studi Kasus Hubungan Jarak Jauh pada Mahasiswa Fikom Untar)
type: item
description: Nonverbal communication is often more powerful than verbal communication, as it can emphasize, strengthen, and even replace spoken messages. In the context of interpersonal relationships, communication. This study discusses the role of nonverbal communication in maintaining emotional closeness among Untar Faculty of Communication Sciences students in long-distance relationships, particularly through the LINE application. In the digital era, nonverbal expressions are no longer only manifested through physical gestures, but also through visual symbols such as stickers, emojis, message reply patterns, and audio features. This study aims to analyze the forms of nonverbal communication used by students in long-distance relationships and understand how these elements help maintain the quality of interpersonal relationships. This study uses Paul Ekman and Wallace Friesen's Kinesics theory, which includes five categories of nonverbal expression: emblem, illustrator, regulator, affect display, and adapter, as the basis for analysis. The research method used is a qualitative approach with in-depth interview techniques and source triangulation. The results show that stickers and emojis are the most dominant digital symbols for expressing emotions, clarifying messages, and reducing miscommunication. Additionally, features like voice notes, reply pauses, and "read" marks serve as digital regulators that help maintain the rhythm of communication. Overall, digital nonverbal communication has been shown to play a crucial role in maintaining emotional closeness in long-distance relationships. Komunikasi nonverbal sering kali lebih kuat dibandingkan komunikasi verbal, karena dapat menegaskan, memperkuat, bahkan menggantikan pesan yang diucapkan. Dalam konteks hubungan antarpribadi. Penelitian ini membahas peran komunikasi nonverbal dalam menjaga kedekatan emosional pada mahasiswa Fikom Untar yang menjalani hubungan jarak jauh (long-distance relationship), khususnya melalui aplikasi L…
creator: Aura Diva Maria Br Simanjorang
creator: Sisca Aulia
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 125
ending page: 133
doi: 10.24912/kn.v10i1.36477

Konstruksi Sosial Healthy Lifestyle dalam Budaya Fitness Gen Z di Lingkungan Perguruan Tinggi
type: item
description: The growing awareness of healthy lifestyles among Generation Z has increased alongside concerns for physical health, mental well-being, and self-identity, particularly within urban and university environments. Fitness communities have emerged not only as spaces for physical exercise but also as social arenas where values, norms, and identities are collectively shaped. This study aims to understand how Generation Z students at Universitas Tarumanagara (UNTAR), Jakarta, construct the meaning of a healthy lifestyle through their involvement in fitness communities. Using a qualitative approach with a case study method, this research explores participants’ lived experiences in engaging in fitness activities, developing healthy routines, and interpreting a healthy lifestyle as part of their self-identity. Data were collected through in-depth interviews, non-participant observation, and social media documentation. The analysis was guided by Berger and Luckmann’s Social Construction of Reality theory, focusing on the processes of externalization, objectivation, and internalization. The findings reveal that a healthy lifestyle is not merely understood as maintaining physical health but also as a symbol of discipline, mental balance, and social existence. Fitness communities function as social spaces that strengthen motivation, emotional support, and the internalization of healthy living values. This study highlights that healthy lifestyles among Generation Z are socially constructed through personal experiences and community dynamics. Perkembangan gaya hidup sehat di kalangan Generasi Z semakin menguat seiring meningkatnya kesadaran terhadap kesehatan fisik, mental, dan citra diri, khususnya di lingkungan perkotaan dan kampus. Komunitas fitness menjadi salah satu ruang sosial yang tidak hanya memfasilitasi aktivitas kebugaran, tetapi juga membentuk nilai, norma, dan identitas generasi muda. Dalam konteks tersebut, penelitian ini bertujuan memahami bagaimana mahasiswa Generas…
creator: Calvin Adiputra Djaja
creator: Diah Ayu Candraningrum
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 134
ending page: 145
doi: 10.24912/kn.v10i1.37139

Interaksi Parasosial Penggemar Indonesia terhadap Boygroup Korea Selatan
type: item
description: Parasocial relationships have become increasingly prominent in the social media era, especially among K-Pop fans in Indonesia. This study explores how parasocial interactions between Indonesian fans and NCT Dream are formed and experienced through digital activities on Twitter (X). A qualitative phenomenological approach was used to examine the experiences of seven active fans and regular Twitter users. Data were collected via in-depth interviews and digital documentation, then analyzed using Miles and Huberman’s model through data reduction, display, and conclusion drawing. Findings reveal that parasocial interactions develop across three dimensions. The knowledge dimension arises from repeated exposure to digital content, fostering familiarity with NCT Dream members. The affective dimension reflects emotional attachment, including comfort, enthusiasm, and loss when idols are inactive. The behavioral dimension appears in fandom participation through trending topics, voting, streaming, and donations. The study concludes that Twitter (X) creates an ecosystem that enhances parasocial closeness through information exposure, real-time presence, and coordinated fan activities, highlighting multidimensional psychological and social dynamics in digital fandom. Hubungan parasosial semakin menonjol di era media sosial, terutama di kalangan penggemar K-Pop di Indonesia. Penelitian ini mengeksplorasi bagaimana interaksi parasosial antara penggemar Indonesia dan NCT Dream terbentuk dan dialami melalui aktivitas digital di X. Pendekatan kualitatif fenomenologis digunakan untuk menelaah pengalaman tujuh penggemar aktif dan pengguna rutin X. Data dikumpulkan melalui wawancara mendalam dan dokumentasi digital, kemudian dianalisis menggunakan model Miles dan Huberman melalui tahap reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa interaksi parasosial berkembang melalui tiga dimensi. Dimensi pengetahuan muncul dari paparan berulang terhadap ko…
creator: Imelda Aimar Fitrah
creator: Muhammad Adi Pribadi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 146
ending page: 155
doi: 10.24912/kn.v10i1.36493

Analisis Semiotika Representasi Pesan Moral dalam Film Thunderbolts
type: item
description: This study analyzes the representation of moral messages in the film “Thunderbolts” using Roland Barthes’ semiotic framework, which includes denotation, connotation, and myth. The research focuses on six key scenes featuring Yelena Belova, Bucky Barnes, and Sentry. These characters are portrayed as complex antiheroes who carry emotional burdens and moral dilemmas that shape the film’s ethical narrative. A qualitative descriptive method is used, with data collected through repeated observation and documentation of visual and verbal signs. The findings show that moral messages in the film are not delivered explicitly but emerge through gestures, expressions, atmosphere, and interpersonal interactions. Denotatively, the scenes depict conflict and vulnerability, connotatively, they reveal themes of trauma, self-awareness, empathy, and restraint. At the myth level, the film constructs the idea that moral growth is a nonlinear journey shaped by personal struggle. This study contributes to understanding how contemporary superhero films articulate moral complexity through antihero figures. Penelitian ini menganalisis representasi pesan moral dalam film “Thunderbolts” dengan menggunakan model semiotika Roland Barthes, yang mencakup tataran denotasi, konotasi, dan mitos. Analisis difokuskan pada enam adegan kunci yang melibatkan Yelena Belova, Bucky Barnes, dan Sentry sebagai tokoh anti pahlawan dengan beban emosional serta dilema moral. Penelitian menggunakan metode kualitatif deskriptif melalui observasi berulang dan dokumentasi terhadap tanda visual maupun verbal. Hasil penelitian menunjukkan bahwa pesan moral tidak disampaikan secara langsung, tetapi dibangun melalui ekspresi, gestur, dinamika suasana, serta interaksi antar tokoh. Pada level denotasi, adegan memperlihatkan konflik dan kerentanan. Pada level konotasi muncul tema trauma, kesadaran diri, empati, dan pengendalian diri. Sedangkan pada level mitos, film menegaskan bahwa proses perubahan moral bersifat panjang, …
creator: Jason Cipto Prajnanda
creator: Yugih Setyanto
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 156
ending page: 165
doi: 10.24912/kn.v10i1.36392

Pemanfaatan Second Account Instagram sebagai Sarana Ekspresi True Self Pada Generasi Z
type: item
description: This study aims to explore how Instagram second accounts function as a space for Gen Z to express their true selves. The research employs the theories of self-disclosure, the Johari Window, and dramaturgy. A descriptive qualitative approach was used, with data collected through interviews, observations, and documentation. The findings indicate that second accounts genuinely serve as a space for Gen Z to represent their true selves. In a digital environment that is less pressured, more private, and free from social expectations and normative demands, participants can present the most honest, emotional, and authentic aspects of themselves. Expert insights further confirm that social pressure is a major factor preventing individuals from fully expressing themselves in public spaces. Religious, social, and cultural norms—such as expectations to always appear well-behaved, polite, stable, or not overly emotional—often lead individuals to adjust their self-expression. However, second accounts provide a safer, smaller, and more controlled environment that allows individuals to detach from these standards. Thus, second accounts not only serve as an escape from social expectations but also provide a meaningful space for self-understanding and the expression of one’s true self. Penelitian ini bertujuan untuk mengetahui bagaimana second account Instagram mampu menjadi ruang untuk menunjukkan true self pada Gen Z. Penelitian ini menggunakan teori self-disclosure, jendela Johari, dan dramaturgi. Pendekatan penelitian ini adalah kualitatif deskriptif dengan metode wawancara. Hasil penelitian menunjukkan bahwa second account benar-benar menjadi ruang representasi true self bagi Gen Z. Dalam lingkungan digital yang minim tekanan, lebih privat, dan tidak dipenuhi tuntutan citra dan norma, para narasumber dapat menampilkan sisi diri yang paling jujur, emosional, dan apa adanya. Hal ini dikonfirmasi oleh ahli, yaitu bahwa tekanan sosial merupakan faktor terbesar yang sering menahan se…
creator: Vincent Lianindra
creator: Gregorius Genep Sukendro
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 166
ending page: 173
doi: 10.24912/kn.v10i1.37140

Paparan Drama Tiongkok terhadap Pandangan Realitas Budaya Tiongkok pada Penonton di Indonesia
type: item
description: This study is motivated by the growing penetration of Chinese dramas in Indonesia, which are increasingly competing with the dominance of Korean dramas, particularly among viewers aged 18–35 who are active consumers of digital media. This phenomenon indicates that foreign entertainment plays a role in shaping cross-cultural perceptions and has become part of the dynamics of cultural globalization. The study aims to measure the influence of exposure to foreign entertainment products on viewers’ perceptions of the reality of the producing culture, using Cultivation Theory as the main framework to explain how intensive and repetitive exposure can affect audiences’ understanding, attitudes, and behavioral tendencies. Variables such as frequency, duration, attention, and viewer involvement are derived from the concepts of media exposure and foreign entertainment, while the process of cultural perception formation is explained through the concept of stereotypes within the warmth–competence framework. This research employs a quantitative approach through an online survey of 100 respondents who meet the criteria of Chinese drama viewers. The findings affirm that foreign entertainment media plays a significant role as an agent of cultural transmission and contributes to shaping how audiences interpret cultural realities within the context of contemporary globalization. Penelitian ini dilatarbelakangi oleh meningkatnya penetrasi drama Tiongkok di Indonesia yang kini bersaing dengan dominasi drama Korea, terutama pada kelompok penonton berusia 18–35 tahun yang menjadi konsumen aktif media digital. Fenomena ini menunjukkan bahwa hiburan asing berperan dalam membentuk persepsi budaya lintas negara dan menjadi bagian dari dinamika globalisasi budaya. Studi ini bertujuan mengukur pengaruh terpaan produk hiburan asing terhadap pandangan tentang realitas budaya produsen dengan menggunakan Teori Kultivasi sebagai landasan utama untuk menjelaskan bagaimana terpaan yang intensif dan be…
creator: Jennifer Grace
creator: Riris Loisa
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 174
ending page: 182
doi: 10.24912/kn.v10i1.36464

Makna Prasangka sebagai 'Monster' dalam Film Monster (2023)
type: item
description: Film is a medium in mass communication that functions to convey messages to audiences through audio-visual forms. This study aims to analyze the meaning of prejudice as a ‘monster’ in the Japanese film Monster (2023) using Roland Barthes’ semiotic analysis and Edwin M. Lemert’s labeling theory. The focus of this research is on visual and narrative signs that indicate social prejudice toward the Other within the context of social relations in Japanese society. The main concepts employed include mass communication, film as a medium of mass communication, prejudice, the concept of monsters in Japanese culture, Roland Barthes semiotics, and labeling theory. This study adopts a qualitative approach with semiotic text analysis to examine denotative, connotative, and mythic meanings presented in the film. The findings show that the ‘monster’ in the film does not refer to a physical being, but rather to a social construct formed through rigid cultural systems and social institutions. Labeling mechanisms, normative pressures, and Japanese cultural values play an important role in transforming difference into stigma. Thus, Monster conveys a social critique of society’s efforts to maintain superficial harmony by excluding individuals who are considered different. The film essentially addresses the failure of social systems to protect individuals. Prejudice and the labeling of "monsters" arise from a rigid society that chooses to exclude the other in order to maintain social harmony. Film menjadi salah satu media dalam komunikasi massa yang berfungsi menyampaikan pesan kepada audiens melalui bentuk audio-visualnya. Penelitian ini bertujuan untuk menganalisis makna prasangka sebagai ‘monster’ dalam film Jepang Monster (2023) dengan menggunakan metode analisis semiotika Roland Barthes dan teori labelling Edwin M. Lemert. Fokus penelitian diarahkan pada tanda-tanda visual dan naratif yang menunjukkan prasangka sosial terhadap liyan (the other) dalam konteks relasi sosial masyaraka…
creator: Agdelia Meliana
creator: Doddy Salman
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 183
ending page: 195
doi: 10.24912/kn.v10i1.36457

Semiotika Saussure dan Narasi Feminisme Liberal dalam Lagu "The Man" oleh Taylor Swift
type: item
description: Music can convey experiences and social criticism. This study examines how Taylor Swift’s song “The Man” represents liberal feminism through symbolic language in popular music. The significance of this research lies in understanding how mass media, particularly music, serves as a medium for articulating and disseminating feminist discourse amid persistent gender bias in society. The aim of this study is to identify forms of criticism toward double standards, stereotypes, and unequal treatment experienced by women as depicted in the lyrics. The analysis employs Ferdinand de Saussure’s semiotics combined with Stuart Hall’s Representation Theory and the concept of liberal feminism as the conceptual framework. The methodology used is a qualitative approach through textual analysis and informant triangulation to enrich the interpretation of meaning. The findings show that the hypothetical scenario “if I were a man” functions as a critical strategy highlighting male privilege in various contexts. The relationship between signifier and signified in the lyrics illustrates women’s experiences of having to work harder yet still being treated differently from men. Additional insights from informants reinforce that this message remains highly relevant to the conditions faced by women today, who continue to encounter bias, stereotypes, and unequal opportunities across social and professional spheres. Musik dapat menyampaikan pengalaman dan kritik sosial. Penelitian ini mengkaji bagaimana lagu “The Man” karya Taylor Swift merepresentasikan feminisme liberal melalui bahasa simbolik dalam musik populer. Signifikansi penelitian terletak pada pentingnya memahami bagaimana media massa, khususnya musik, menjadi sarana artikulasi dan penyebaran wacana feminisme di tengah masih kuatnya bias gender dalam masyarakat. Tujuan penelitian ini adalah mengidentifikasi bentuk kritik terhadap standar ganda, stereotipe, serta ketidakadilan perlakuan yang dialami perempuan sebagaimana ditampilkan da…
creator: Alexandra Carolina
creator: Septia Winduwati
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 196
ending page: 205
doi: 10.24912/kn.v10i1.37142

Representasi Feminisme Postmodern pada Tokoh Tewkesbury dalam Film Enola Holmes (2020)
type: item
description: This study analyzes the representation of postmodern feminism through the character of Lord Tewkesbury in the film Enola Holmes (2020). The film is viewed as a cultural text that not only tells a story but also shapes and negotiates gender meanings through visual, verbal, and narrative signs. This research employs postmodern feminist theory using deconstructionist, poststructuralist, and performative approaches, which understand gender as a fluid social construct continuously formed through discourse. The analysis applies Roland Barthes’ semiotic framework of denotation, connotation, and myth. The study focuses on three key scenes that illustrate the reversal of gender roles, the negotiation of masculine identity within the social context of the Victorian era, and the performance of non-hegemonic gender expressions. The findings indicate that Tewkesbury is consistently portrayed as gentle, empathetic, reflective, and cooperative, thereby challenging dominant masculinity. These representations construct a myth of alternative masculinity that is more inclusive and humanistic, while emphasizing the role of popular media in expanding the understanding of gender as a dynamic spectrum in contemporary popular culture. Penelitian ini menganalisis representasi feminisme postmodern melalui tokoh Lord Tewkesbury dalam film Enola Holmes (2020). Film dipandang sebagai teks budaya yang tidak hanya menyampaikan cerita, tetapi juga membentuk dan menegosiasikan makna gender melalui tanda visual, verbal, dan naratif. Penelitian ini menggunakan teori feminisme postmodern dengan pendekatan dekonstruksionis, poststrukturalis, dan performatif, yang memandang gender sebagai konstruksi sosial yang bersifat cair dan terus dibentuk melalui wacana. Analisis dilakukan dengan semiotika Roland Barthes yang mencakup denotasi, konotasi, dan mitos. Kajian ini menelaah tiga adegan kunci yang menunjukkan pembalikan peran gender, negosiasi identitas maskulinitas dalam konteks sosial era Victoria, sert…
creator: Belinda Purwanto Jahja
creator: Sinta Paramita
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 206
ending page: 215
doi: 10.24912/kn.v10i1.36343

Relasi Interpersonal dan Trust Building dalam Dinamika Hubungan pada Generasi Z di Aplikasi Bumble
type: item
description: Online dating among Generation Z shows that many relationships begin in virtual spaces, yet their continuation depends on interpersonal relationship quality and trust. This study describes interpersonal relationship development and trust-building processes within the relationship dynamics of Generation Z Bumble users. It draws on DeVito and Knapp’s stages of interpersonal relationship development and Octaviolan and Ardi’s concepts of virtual communication and trust-building stages. Using a qualitative case study approach, the findings indicate that relationships typically progress from light conversations that create positive emotions to routine communication, moving to other platforms, increased self-disclosure, and face-to-face meetings. However, relationships may decline when expectations do not align with real experiences. Trust is built through identity verification, consistent communication, and direct interaction, but can easily collapse when dishonesty or mismatches in self-presentation occur. Relationship dynamics are often fluctuating connections may strengthen quickly yet also loosen rapidly due to the availability of alternative partners. Overall, interpersonal relationships and trust building act as the central drivers of relationship dynamics on Bumble, shaping the direction, intensity, and sustainability of relationships, whether they develop, stagnate, or end. Fenomena penggunaan aplikasi online dating di kalangan Generasi Z menunjukkan bahwa banyak hubungan dimulai di ruang virtual, namun keberlanjutannya tergantung pada kualitas relasi interpersonal dan kepercayaan yang terbangun. Penelitian ini bertujuan mendeskripsikan relasi interpersonal dan proses trust building dalam dinamika hubungan Generasi Z pengguna Bumble. Penelitian menggunakan konsep tahapan perkembangan relasi interpersonal menurut DeVito dan Knapp, serta konsep komunikasi virtual dan tahapan trust building Octaviolan dan Ardi sebagai landasan teoritis. Peneliti menggunakan pendekata…
creator: Chintya Chrestella
creator: Lusia Savitri Setyo Utami
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 216
ending page: 228
doi: 10.24912/kn.v10i1.36303

Komunikasi Interpersonal dalam Perspektif Teori Negosiasi Wajah: Studi pada Rumah Tangga Pasangan Muda
type: item
description: When entering the early stages of marriage, couples often lack sufficient experience in managing conflict, so negotiating skills to maintain harmony are crucial. This study aims to analyze the strategies young couples use to negotiate face in dealing with marital conflict. This study uses the concept of facework from Brown and Levinson, which was later developed by Ting-Toomey into Face Negotiation Theory, which explains that each individual strives to maintain, protect, and restore their face through certain communication styles. To understand the dynamics of marital relationships, this study also uses the patterns of marital relationships in the household proposed by Subiyanto, namely property owner, head complement, senior junior partner, and equal partner. The research method used is a qualitative approach with in-depth interviews with young couples with marriages under five years old. The results show that face negotiation occurs in various forms of conflict influenced by relationship patterns, communication experiences, and cultural values. Couples with an equal partner pattern tend to demonstrate more open and mutually supportive communication compared to other more hierarchical patterns that show a tendency to dominate in maintaining personal face. Ketika memasuki fase awal pernikahan, pasangan sering kali belum memiliki pengalaman yang memadai dalam mengelola pertentangan, sehingga kemampuan bernegosiasi untuk menjaga keharmonisan menjadi sangat penting. Penelitian ini bertujuan menganalisis strategi pasangan muda menegosiasikan wajah dalam menghadapi konflik rumah tangga. Penelitian ini menggunakan konsep facework dari Brown dan Levinson yang kemudian dikembangkan oleh Ting-Toomey menjadi Face Negotiation Theory, yang menjelaskan bahwa setiap individu berusaha mempertahankan, melindungi, dan memulihkan wajahnya melalui gaya komunikasi tertentu. Untuk memahami dinamika dalam hubungan rumah tangga penelitian ini juga menggunakan pola hubungan suami istri dal…
creator: Christin Kurniawati Ruki
creator: Wulan Purnama Sari
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 229
ending page: 243
doi: 10.24912/kn.v10i1.36256

Parentifikasi dan Pola Komunikasi dalam Keluarga: Pengalaman Fenomenologis Anak Sulung
type: item
description: responsibilities that should be carried out by the parents. This phenomenon is commonly experienced by firstborn children in families with unequal communication patterns, economic pressure, or emotional conflict. This study aims to understand the meaning of parentification and to describe the communication patterns between firstborn children and their parents in families experiencing role imbalance. The theoretical framework includes family systems theory, parentification theory, family communication theory, and role theory as the basis for understanding the relationships and interaction patterns that emerge within the family. This study employed a qualitative phenomenological approach through in-depth interviews with three informants who experienced parentification with varying intensities. The findings indicate that parentification appears through both emotional and instrumental roles, such as mediating conflicts and managing the family’s emotional atmosphere. The communication patterns formed tend to be one-way, provide limited space for expression, and place the child in a position of maintaining family stability. Parentification is understood ambivalently, both as a form of moral responsibility and as a source of psychological pressure and emotional fatigue. This study concludes that empathetic communication and clear generational boundaries are necessary to ensure that a child’s role remains aligned with their developmental stage. Parentifikasi merupakan kondisi ketika anak mengambil alih tanggung jawab emosional maupun instrumental yang seharusnya dijalankan oleh orang tua. Fenomena ini sering dialami anak sulung dalam keluarga dengan komunikasi yang tidak setara, tekanan ekonomi, atau konflik emosional. Penelitian ini bertujuan untuk memehami makna parentifikasi serta menggambarkan pola komunikasi antara anak sulung dan orang tua dalam keluarga yang mengalami ketidakseimbangan peran. Teori yang digunakan meliputi teori sistem keluarga, teori parentifikasi, t…
creator: Cinta Nassapramita
creator: Farid Rusdi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 244
ending page: 253
doi: 10.24912/kn.v10i1.37145

Makna Otonomi Ekonomi Perempuan dalam Lagu Miss Independent: Analisis Semiotika Roland Barthes
type: item
description: This study examines the representation of perceptions of women’s economic autonomy in Ne-Yo’s "Miss Independent" (2008) using Roland Barthes’ semiotic approach. The lyrics serve as the subject, while the focus is on understanding how young women internalize messages of financial independence, decision- making freedom, and self-reliance. Analysis is conducted across three semiotic levels: denotation, connotation, and myth, to explore how the song constructs the image of an independent woman. Findings indicate that the lyrics reinforce liberal feminist values by emphasizing autonomy, equality, and empowerment, while also reflecting the social realities and aspirations of. The study demonstrates that popular music functions as a cultural medium that can shape perceptions, inspire agency, and foster critical media literacy. By linking lyrical representation with the lived experiences of young women, this research highlights the role of music in promoting gender equality and empowering to embrace independence both socially and economically. The study contributes to cultural communication scholarship and provides insight for creating more inclusive and empowering cultural works. Penelitian ini menelaah representasi persepsi terhadap otonomi ekonomi perempuan melalui lirik lagu Ne-Yo, "Miss Independent" (2008) menggunakan pendekatan semiotika Roland Barthes. Subjek penelitian adalah lirik lagu, sedangkan objeknya adalah kemandirian ekonomi perempuan, termasuk kemampuan mengelola keuangan, membuat keputusan, dan menegaskan identitas diri. Analisis dilakukan pada tiga tingkatan makna: denotasi, konotasi, dan mitos, untuk memahami bagaimana lagu membangun citra perempuan mandiri. Temuan menunjukkan bahwa lirik lagu menguatkan nilai-nilai feminisme liberal dengan menekankan otonomi, kesetaraan, dan pemberdayaan, sekaligus mencerminkan realitas sosial dan aspirasi. Musik populer berfungsi sebagai medium budaya yang membentuk persepsi, mendorong kemandirian, dan meningkatkan lit…
creator: Fellycia Muaya
creator: Diah Ayu Candraningrum
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 254
ending page: 262
doi: 10.24912/kn.v10i1.36390

Representasi Anak Sulung sebagai Pilar Keluarga di Film Bila Esok Ibu Tiada
type: item
description: The family is the primary space for shaping social roles, including the position of the firstborn, which in many Indonesian cultures is often understood as the bearer of the greatest responsibility. Representations of this role frequently appear in mass media, including films. This study aims to examine how the firstborn as the pillar of the family is represented in the film Bila Esok Ibu Tiada using Roland Barthes’ semiotic analysis. The research employs a descriptive qualitative approach with Barthes’ semiotic textual analysis. The concepts and theories used include film as a mass communication medium, representation, and social roles. The findings show that the film represents the firstborn as a central figure who holds leadership responsibilities, makes decisions, and maintains family stability. The film also portrays the firstborn’s sacrifices as a form of devotion aligned with Indonesian cultural values that place collective interests above individual needs. In addition, the film reveals unequal distribution of roles and the social and emotional pressures that are often overlooked. Thus, these representations reflect dominant cultural constructions within Indonesian society rather than universal social realities. Keluarga merupakan ruang utama dalam pembentukan peran sosial, termasuk posisi anak sulung yang dalam sebagian budaya Indonesia sering dipahami sebagai pemegang tanggung jawab terbesar. Representasi mengenai peran tersebut beberapa kali muncul dalam media massa, salah satunya film. Penelitian ini bertujuan mengetahui bagaimana anak sulung sebagai pilar keluarga direpresentasikan dalam film Bila Esok Ibu Tiada dengan analisis semiotika Roland Barthes. Penelitian menggunakan pendekatan deskriptif kualitatif dengan metode analisis teks yaitu semiotika Roland Barthes. Konsep dan teori yang digunakan adalah film sebagai media massa, representasi, dan peran sosial. Hasil penelitian menunjukkan bahwa film merepresentasikan anak sulung sebagai figur sentral y…
creator: Gabriella Shalisha Pratikna
creator: Lusia Savitri Setyo Utami
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 263
ending page: 275
doi: 10.24912/kn.v10i1.36272

Krisis Kepercayaan pada Fenomena Kabur Aja Dulu Studi Resepsi Gen Z dalam Perspektif Komunikasi Krisis
type: item
description: The “Kabur Aja Dulu” phenomenon reflects a growing trust crisis among Indonesian Gen Z toward the government, driven by social, economic, and political conditions that they perceive as failing to meet their expectations. This study aims to analyze Gen Z’s reception of the phenomenon and how they interpret it as a form of trust crisis using a communication perspective. Two theoretical frameworks are applied: Coombs’ Situational Crisis Communication Theory (SCCT) to examine attribution of government responsibility, and Stuart Hall’s Encoding/Decoding model to identify Gen Z’s reception positions. This research employs a descriptive, qualitative method through in-depth interviews with five Gen Z participants and one expert to validate the data. The findings indicate that Gen Z predominantly occupies dominant and negotiated positions, reflecting general acceptance of the phenomenon as an expression of dissatisfaction toward the government. Participants attribute significant responsibility to the government, reinforced by negative reputation, corruption cases, and defensive crisis communication. Many also view migration as a rational response to limited domestic opportunities and perceived inconsistencies in public policy. This study highlights that restoring public trust requires systemic reforms, transparency, and a more empathetic, consistent communication approach from the government that aligns with the expectations of younger generations. Fenomena “Kabur Aja Dulu” mencerminkan meningkatnya krisis kepercayaan generasi muda terhadap pemerintah, terutama dalam konteks sosial, ekonomi, dan politik yang dianggap tidak memenuhi ekspektasi. Penelitian ini bertujuan menganalisis resepsi Gen Z terhadap fenomena tersebut serta memahami bagaimana Gen Z mengaitkannya dengan krisis kepercayaan dalam perspektif komunikasi krisis. Dua kerangka teori digunakan, yaitu Situational Crisis Communication Theory (SCCT) Coombs untuk melihat atribusi tanggung jawab pemerintah, dan teori E…
creator: Joe Franco
creator: Doddy Salman
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 276
ending page: 284
doi: 10.24912/kn.v10i1.36299

Komodifikasi dalam Ekonomi Politik Media: Studi Kasus pada Instagram Sabrina Chairunnisa
type: item
description: The rapid advancement of digital technology has transformed social media into a capitalization space where identity and creativity are converted into economic exchange value. This study analyzes the commodification processes within the digital activities of influencer Sabrina Chairunnisa through the lens of the political economy of media, specifically applying Vincent Mosco’s conceptual framework. Through a qualitative descriptive approach and case study method, data was collected via virtual observation of Instagram content and documentation to understand how creativity transforms into commercial value. The research reveals that Chairunnisa effectively integrates content creation, labor, and audience interaction to generate economic profit while maintaining ethical work standards without exploitation. Educational skincare reviews and entertainment content transform into commodities that significantly benefit brands like Wardah and JimsHoney, turning personal expression into a strategic marketing tool. Furthermore, the meticulous labor of her creative team and the high engagement of her audience are capitalized upon to strengthen her bargaining power in the competitive influencer marketing industry. This study concludes that social media functions as a complex capitalist ecosystem where digital influence and creative labor are systematically commodified. Pesatnya perkembangan teknologi digital telah mengubah media sosial menjadi ruang kapitalisasi di mana identitas dan kreativitas bertransformasi menjadi nilai tukar ekonomi. Penelitian ini menganalisis proses komodifikasi dalam aktivitas digital influencer Sabrina Chairunnisa melalui perspektif ekonomi politik media dengan menerapkan kerangka konseptual komodifikasi dari Vincent Mosco. Melalui pendekatan deskriptif kualitatif dan metode studi kasus, data dikumpulkan lewat observasi virtual terhadap konten Instagram serta dokumentasi untuk memahami mekanisme kreativitas menjadi komoditas komersial. Hasil penelitian m…
creator: Aldi Hardianto
creator: Indah Sari Pratidina
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 285
ending page: 293
doi: 10.24912/kn.v10i1.36777

Analisis Perilaku Parasosial Penggemar Marvel melalui Konten di TikTok
type: item
description: This study explores parasocial behavior among Marvel fans through their content consumption patterns on TikTok, focusing on how algorithm-driven engagement and short-form audiovisual media strengthen emotional attachment to fictional characters and media franchises. As TikTok increasingly becomes a primary platform for fan culture expression, the phenomenon of parasocial relationships expands beyond traditional media and evolves into participatory digital behavior such as duets, stitches, edits, fan theories, and reaction videos. Using a qualitative descriptive approach, the research analyzes user interactions, recurring themes, and engagement indicators within selected TikTok Marvel fandom content. The findings reveal that TikTok’s algorithmic personalization encourages repetitive exposure to Marvel-related content, leading to heightened perceived intimacy with characters such as Tony Stark, Loki, Wanda Maximoff, and Spider-Man. This emotional closeness manifests in behaviors such as defending characters in online debates, expressing grief over fictional events, and forming community identities around shared admiration. Additionally, creators and micro-influencers play a central role in sustaining parasocial involvement by framing narratives that invite emotional resonance and reinforcing fan belonging through targeted content. The study concludes that TikTok not only facilitates fan engagement but also amplifies parasocial dynamics by providing immersive, interactive media experiences. These findings contribute to broader discussions on digital fandom, media psychology, and the evolving nature of audience character relationships in the era of participatory social platforms. Studi ini mengeksplorasi perilaku parasosial di kalangan penggemar Marvel melalui pola konsumsi konten mereka di TikTok, dengan fokus pada bagaimana keterlibatan berbasis algoritma dan media audiovisual berdurasi pendek memperkuat keterikatan emosional dengan karakter fiksi dan waralaba media. …
creator: Michelle Aurellia Kwok
creator: Farid Rusdi
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
starting page: 294
ending page: 301
doi: 10.24912/kn.v10i1.37146

Cover Vol. 10 No. 1
type: item
description: Cover Vol. 10 No. 1
creator: Lydia Irena
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
doi: 10.24912/kn.v10i1.37177

Front Matters Vol. 10 No. 1
type: item
description: Front Matters Vol. 10 No. 1
creator: Lydia Irena
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
doi: 10.24912/kn.v10i1.37176

Back Matters Vol. 10 No. 1
type: item
description: Back Matters Vol. 10 No. 1
creator: Lydia Irena
rights: Copyright (c) 2026 Koneksi https://creativecommons.org/licenses/by-sa/4.0
license: https://creativecommons.org/licenses/by-sa/4.0
date: 2026-03-30
publication date: 2026-03-30
volume: 10
number: 1
doi: 10.24912/kn.v10i1.37178