REDESIGN LOGO OF INTERIOR DESIGN COMPANY AS AN EFFORT TO IMPROVE COMPANY’S IMAGE
Main Article Content
Abstract
Levendig is a company engaged in Interior Design, Architectural Design, and Contracting. The lack of a strong visual identity makes Levendig less prominent in the eyes of the public. The existing visual identity is not able to represent Levendig's image as a company engaged in interior design. Therefore, the purpose of this logo redesign is to enhance the image that Levendig wants to highlight, namely as a professional, modern, and flexible interior design service that can reach all ages. This design uses the robin landa method, which consists of 5 stages of design to ensure orientation, analysis, concept, design, and implementation. The result of the design is a logo with a basic geometric shape approach that uses a connected line to show that Levendig produces a house design that is durable (beyond time and generation). Every corner is rounded to give the impression of humanity. The typography used is in the form of hand writing to represent such a long life, meaning that Levendig is always there and can be in various styles. So that with the presence of a new visual identity, Levendig's brand image can stick and stand out in the eyes of the public. In the process of redesigning the logo, it is necessary to pay attention to several things, such as colors and visuals that need to be adjusted to the company's vision and mission, typography that can reflect a company but must also pay attention to the level of legibility, and finally the shape. The logo is simple and unique to make it easy to remember, easy to apply to various media, easy to associate, but not too abstract and can tell the story of a brand.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
References
A. R. F. Arifin, I. M. Ridwan, P. B. Bambang, Perancangan Corporate Identity PT. Nata Terra. Retrieved from E-journal Bina Sarana Informatika. URL: https://ejournal.bsi.ac.id/ejurnal/index.php/sketsa59
Bluesodapromo, Everythings There Is To Know About Logo. Chicago, 2013
Mazwahid, Mengapa Harus Rebranding? Retrieved from Kampus Marketing. URL: http://kampus.marketing.co.id.
Mira, Pentingnya Desain Interiror. Retrieved from Flashcom Indonesia. URL: https://flashcomindonesia.com/mengapa-diperlukan-desain-interior.html
Mousmedia, 8 Kriteria Desain Logo yang Baik dan Benar. URL: https://mousmedia.com/8-kriteria-desain-logo-yang-baik-dan-benar-bagi-usaha-anda/
N. I. Nabila, Pengaruh Perubahan Logo (Rebranding) Terhadap Citra Perusahaan Pada PT. Bank BRI Tbk. Jurnal Ilmiah Manajemen Forkamma, 2(1), 117-126. DOI: http://openjournal.unpam.ac.id/index.php/FRKM/article/view/3418/2694
Odbrand, Mengapa Harus Ganti Logo?. Retrieved from Odbrand. URL: https://odbrand.com/2012/06/04/mengapa-harus-ganti-logo/
P. J. Pratama, Y. Yenny, Ekspresi komunikasi Bonek dalam Membangun Citra di Masyarakat. Soetomo Communication and Humanities, 1(2), 87–96. DOI: https://garuda.kemdikbud.go.id/documents/detail/2476125
P. V. Anthonia, I. Zahar, D. Z. Nizar, Rebranding Kopi Krampoel untuk Meningkatkan Popularitasnya di Kalangan Generasi Z. Rupaka, 1-2. URL: https://journal.untar.ac.id/index.php/Rupaka/article/view/9157/5780
R. Landa, Graphic Design Solution Robin Landa 5 th Edition International. USA: Wadsworth Cengage Learnin, 2014
S. Rustan, Huruf Font Tipografi, Jakarta: PT. Gramedia Pustaka Utama, 2017
S. Rustan, Logo 2021, Jakarta: PT. Gramedia Pustaka Utama, 2021
S. Rustan, Warna Warni, Jakarta: Batara Imaji, 2019
T. M. Raja, V. Haristianti, D. Y. Ananda, Studi Aplikasi Corporate Identity Pada Elemen Interior Kantor Telkom Indonesia. DOI: http://iptek.its.ac.id/index.php/jdi/article/view/6461
W. Wennes, J. G. Warjoyo, B. Leoputra, Perancangan Ulang Identitas Visual Brand Little Boss. Rupaka, 1-2. URL: https://journal.untar.ac.id/index.php/Rupaka/article/view/9171/5794